DSpace Collection:http://hdl.handle.net/11422/672024-03-22T00:25:57Z2024-03-22T00:25:57ZAs Marchas da Família com Deus pela Liberdade e o golpe de 1964Presot, Aline Alveshttp://hdl.handle.net/11422/98172023-12-21T03:07:00Z2004-01-01T00:00:00ZTitle: As Marchas da Família com Deus pela Liberdade e o golpe de 1964
Author(s)/Inventor(s): Presot, Aline Alves
Advisor: Fico, Carlos
Abstract: The main purpose of this research is investigate one of the most important manifestations of the Brazilian political history. As a social phenomenon, the “Marchas” can be understood as part of the opposition to the João Goulart’s nationalist government. To the organizers of the “Marchas”, the Brazilian president João Goulart had comunist inclinations and was trying to destroy the religious, patriotic and moral values of the Brazilian society. The “Marchas” were a kind of act of asking for intervention to the Armed Forces to save the Brazilian institutions. After March the 31, 1964, the “Marchas” were re-defined and became part of the justifications of the coup d’état.
Publisher: Universidade Federal do Rio de Janeiro
Type: Dissertação2004-01-01T00:00:00ZSistemas agrários em Paraíba do Sul (1850-1920): um estudo de relações não-capitalistas de produçãoFragoso, João Luis Ribeirohttp://hdl.handle.net/11422/90792023-12-21T03:00:31Z1983-05-01T00:00:00ZTitle: Sistemas agrários em Paraíba do Sul (1850-1920): um estudo de relações não-capitalistas de produção
Author(s)/Inventor(s): Fragoso, João Luis Ribeiro
Advisor: Linhares, Maria Yedda Leite
Abstract: Study of the agrarian system that emerged from an export economy centered on one agricultural product. The coffee County of Paraiba do Sul on the Paraiba Valley (Rio de Janeiro) is taken as a case study for the period between 1850-1920. According to this purpose certain aspects concerned with the productive system have been giyen a privileged treatment such as: certain traits of its reproduction process and its relations of production. Along this dissertation, such traits have been associated with the concept of frequency of cultivation. On the other hand, through the analysis of such traits, especially the extensive character of the reproduction of the system as a whole, as well as the "association" of direct producers to ,the means of production, it is intended to demonstrate the logic of the agrarian system historically delimited and based on a given plantation economy. Finally, it is intended to demonstrate the persistency of that form of agricultural production, locally, along the post -slavery period. The fact that the agricultural regime based on free labor has been distinguished by its non-capitalist character results from the persistency of the above mentioned agrarian system as part of a defined form of agricultural production. The word "decadence" has been avoided as a definition of the period post-slavery. In fact, it is here suggested that the weathering (definhamento) of the agrarian system of the exportation economy, regionnally, was linked with its specific mechanisms of reproduction.
Publisher: Universidade Federal do Rio de Janeiro
Type: Dissertação1983-05-01T00:00:00ZAs cem cadeiras: comédia fílmica como fonte historiográficaMachado, Hildahttp://hdl.handle.net/11422/38362023-12-21T03:05:27Z2001-01-01T00:00:00ZTitle: As cem cadeiras: comédia fílmica como fonte historiográfica
Author(s)/Inventor(s): Machado, Hilda
Advisor: Guimarães, Manoel Luiz Lima Salgado
Abstract: A Hundred Chairs: Film Comedy as Historiographycal Source. The uses and limits of historic approaches essayed on nine film adaptations of a sovietic novel, Dvienatsat Stuliev de Ilf e Petrov, 1927: Keep Your Seats, Please!, Dreizehn Stühle, EI Sillón Y Ia Granduquesa, It's in the Bag!, As Treze Cadeiras, Las Doce Sillas, Twelve Chairs, 12+1 e Dvienatsat Stuliev. Image and the paradoxes it represents to the post-modern historian. The role of the observer in image thought. Image as source and comedy as discourse of the nation. The concept of context and its pervasive circumscription of audiovisual evidence. The centrality of visual pleasure on historical film representation of the past. Allegorical and metonymical approaches of the audiovisual source. The decay of the filmmakers autority and his nationality as film exegesis parameters. The instability of teleological approach of film plot and its stress on film ends. Film as political history document and formalist art history tradition. Film comedy tension: the gag and narrative; possible historiographycal approaches. Film genre as reading.
Publisher: Universidade Federal do Rio de Janeiro
Type: Tese2001-01-01T00:00:00ZVestir poder e poder vestir: O tecido social e a trama cultural nas imagens do traje negro (Rio de Janeiro, século XVIII)Escorel, Silviahttp://hdl.handle.net/11422/29542023-12-21T03:03:37Z2000-01-01T00:00:00ZTitle: Vestir poder e poder vestir: O tecido social e a trama cultural nas imagens do traje negro (Rio de Janeiro, século XVIII)
Author(s)/Inventor(s): Escorel, Silvia
Advisor: Knox, Falci Miridan Britto
Abstract: Examines, through images of their ways of dressing, the social strata and joint cultures in the life of Africans and their descendents in colonial Rio de Janeiro. The analysis of these images vallues the power of these people, trans planted by force by the slave systemto the Portuguese xolony of Brazil, to recreate original cultural institutions, capable of keeping alive, in exile, although transfigured, their ancestral heritage. Among these institutions, clothes and cloths, part of the material culture imbued with values and memories, matrix of Brazilian culture.
Publisher: Universidade Federal do Rio de Janeiro
Type: Dissertação2000-01-01T00:00:00Z