O percurso da reflexão acerca da obra de arte em Martin Heidegger segundo Julian Young

Abstract

The present research analyzes the evolution of Heidegger's thinking on the work of art, based on Julian Young's interpretation that identifies two paradigms: the Greek and the modern. Although The Origin of the Work of Art (1935/36) is fundamental, Heidegger progressively distances himself from this initial perspective, recognizing that modern art faces an era radically distinct from the Greek, marked by the absence of the gods and the dominance of technology. Influenced by Hölderlin, the philosopher abandons the "Grecocentric" view by understanding that contemporary art cannot configure historical worlds as Greek art did, having to fulfill another task. This transformation brings him closer to modern artists such as Klee, Cézanne, Chillida, and Heiliger, whose works preserve the mystery of being in a manner appropriate to modernity. The objective of this research is not to define a theory about art, but to understand the conceptual transformations in order to think new artistic paradigms that respond appropriately to the demands of our time, dominated by scientific reflection and the exponential advance of technology as Gestell.